Someone left the clock running. (It might have been me.)

Greyscale head-and-shoulders illustration of a woman with glasses in a space jumpsuit.
Seriously, isn’t it lovely? Belters unite.

First off, you may note that my avatar has changed; it is currently an illustration by Claudia Cangini in the vein of the After The War RPG, which will be debuting on KickStarter in a few weeks–on November 12–at which point I’ll be able to share the story I wrote for it.

October was a one-convention, one-conference, one-vacation month in the middle of crunch time, which means the time off was lovely but also extremely dense. Coming back to work has been a bit of a shock, but I think I’m catching up on things again.

A final note: I went to the Surrey International Writers’ Conference and would love to go again; I have not taken notes like that since university, and I feel like my brain is still digesting quite a bit. It was lovely to see people (I finally met Cat Rambo in person!), it struck me as an incredibly well-planned conference, and there was karaoke.

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Catching up.

Okay. Time for a quick recap.

It’s been a week and a weekend since “Late Night at the Low Road Diner” got published, and I am still really pleased about it.

I should have another short piece coming out soon, set in the After the War universe–details soon! I’m very pleased to have been invited to write for the setting, and I hope you enjoy it when it comes out.

Crit group was yesterday. I am very lucky to have my crit group; they are a thoughtful, well-informed group who manage to articulate a lot about expectations and pacing and emotional weight and signalling, and even when it’s not my story getting critted it is honestly so good to be able to hear everyone else’s thoughts.

Consider that my writerly advice, rather than going on about adverbs. Find people who can give you good critique and treasure them. I find it’s too easy to be looking at your story and seeing what you meant to put in there rather than what’s actually on the page, otherwise. (Admittedly, I once wrote a story about a couple of fictional characters come to life and completely forgot to mention anywhere in the story that that was what they were. So I’m particularly prone to blind spots. Also I once wrote a story that I forgot to mention was about fictional characters coming to life, so you may want to take any advice I offer with a grain of salt.)

Also yesterday, I finished handwriting the edits to a 13,500 word story, and am now typing them up. I’m suspecting I will need to give it another editing pass, and it’s going to end up in the nearly completely unsellable length of 15-16K words, but it will be done.

I’ve also finished my travel arrangements for Scintillation and the Surrey International Writer’s Conference, so October is going to be a very full month, but at least one that’s well organized.

Instructions for the Age of Emergency.

Some fascinating comments on dystopias in science fiction, restructuring societies, and the Age of Emergency (which I now need to go read a lot more about).

monica byrne

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Halbert W. Hall Speaker’s Series on Science Fiction and Fantasy, Texas A&M University

February 2, 2018

Full Audio

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Thank you so much to Texas A&M for hosting me, and especially to the Science Fiction Archivist, Jeremy Brett, who invited me and orchestrated everything. He’s been a supporter of my work for years, and I’m so delighted to finally meet him, and to have the chance to address all of you. I’d also like to thank TAMU Libraries, the Glasscock Center for Humanities Research and its Science Fiction Studies Working Group, the Department of English, the Department of International Studies, and the Department of Visualization. I’m so honored by such an intersectional effort to bring me here. So thank you.

As Jeremy said, I write a lot of things, but when people ask me what I am, the first thing I say is that I’m a science fiction writer. I gave…

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